Garsh, 50 million page views.
Writers don't get no--oops, make that any--respect, and it's easy to see why. It's not difficult or dirty or adventurous work, and no fearlessness (except, perhaps, of rejection) is required. Anyone can do it, and judging by the limitless blogs, webpages and online conversations shuttling over the Web, everyone does.
Imagine if the same could be said of attorneys; in that wonderful world, any of the other folks on your Yahoo message board could take your case to court with a near-professional confidence.
Is it any wonder writers get zero respect?
The pay is similarly imbalanced, with the golden few earning sums usually reserved for those sitting on vast pools of petroleum, while the remuneration for the typical scribbler is abysmal, laughable or even, if some "creativity" is allowed, truly pathetic.
Even worse, time has an insidious way of undermining what was categorically taken as "great" and revealing it as mediocre (Who won the Nobel Prize for Literature in 1919?); or alternatively, by taking what was dismissed as rubbish (Moby-Dick, anyone?) and elevating it to unabashed greatness. (This of course usually occurs after the writer's demise.)So what is to be done? (Arrgh, Lenin again!)
If only writers had uniforms.
My, how our breasts would swell with pride! Why, we might even venture out in public without that cowering look of the oft-rejected.
But what should a writer's uniform look like?
History offers a rich trove of possibilities. For the slightly morbid careworn dandy look (easily feminized, as you can tell by the foppy bow), who better than Baudelaire?
In a more classic vein, consider Mark Twain's natty all-white outfit--also easily feminized (picture Annie Hall with a white vest and matching linen jacket).
In this publicity still from the film Annie Hall (originally titled "Anhedonia," if sources are to be believed), we note that Woody Allen, as befits a talented megabucks writer/director, is sporting the 1977 version of timeless white. Another fan of the look isTom Wolfe.
Any number of female writers also offer a stylistic model for a writerly uniform befitting either the female or male form. Consider the Chinese-inspired look of Simone de Beauvoir in the accompanying photo (credit: Weltchronik.de).
But for my money, the only uniform flexible enough to clothe the vast range of writers is the unisex proto-futurist attire of Star Fleet Command. We are, after all, looking desperately to the future (and if not the future per se, then to a royalty check or handsome-paying gig just ahead), and the easily laundered, clean lines of the Star Fleet look should appeal to even the most fashion-averse amoungst us. Conversely, the Fashionistas will find ample expression in accessorizing the uniform (imagine what red open-toed sandals would do for it on a languid summer evening!)
There will be those in such a famously individualistic trade who will reject a uniform as somehow authoritarian; but these rebellious souls will still be free to maintain their scruffy non-conformist look (thereby confirming their conformity, albeit to a parallel form), including the tattered bathrobe and crushed velour slippers which are the de riguer uniform of the dejected L.A. screenwriter. You know the one, sitting on a broken sofa in a dingy North Hollywood studio, pondering why his landlord calls so often and his agent so rarely. A uniform would sluice some pep right back into his step, for it would say one proud thing: despite the odds, the rejections and the poverty, I am still a writer.
There is another enormous advantage to the StarFleet look: the implicit hierarchy of Fleet uniforms. Even the most ardently egalitarian in our motley trade secretly or openly desires recognition as a damned fine writer; and if not that, then at least some standing within the exasperating horde.
It's easy to conjure up a Fleet-like array of epaulets and insignias which would subtly confer rank. A single ribbon might denote a journalism degree, while two would signify employment, with a small oak-leaf cluster for each decade of service in the newsroom. Service in the field could be recognized by a series of battle ribbons (red and white for 'Nam, blue and white for the Balkans, etc.)
A stylized lance insignia would confer the unenviable status of free-lancer, with epaulets awarded for the milestones of publication in a major media outlet or a $1,000 fee. Book contracts could be signified with artful pins, silver for non-fiction and gold for fiction. Sales above 5,000 would earn the writer a silver cluster while sales above 20,000 would earn a gold. For sales above 100,000 and a sale of film rights--who needs a lousy uniform once you've reached that Olympus?
Get a Job, Build a Real Career and Defy a Bewildering Economy(Kindle, $9.95)(print, $20)
Are you like me? Ever since my first summer job decades ago, I've been chasing financial security. Not win-the-lottery, Bill Gates riches (although it would be nice!), but simply a feeling of financial control. I want my financial worries to if not disappear at least be manageable and comprehensible.
And like most of you, the way I've moved toward my goal has always hinged not just on having a job but a career.
You don't have to be a financial blogger to know that "having a job" and "having a career" do not mean the same thing today as they did when I first started swinging a hammer for a paycheck.
Even the basic concept "getting a job" has changed so radically that jobs--getting and keeping them, and the perceived lack of them--is the number one financial topic among friends, family and for that matter, complete strangers.
So I sat down and wrote this book: Get a Job, Build a Real Career and Defy a Bewildering Economy.
It details everything I've verified about employment and the economy, and lays out an action plan to get you employed.
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Test drive the first section and see for yourself. Kindle, $9.95 print, $20
"I want to thank you for creating your book Get a Job, Build a Real Career and Defy a Bewildering Economy. It is rare to find a person with a mind like yours, who can take a holistic systems view of things without being captured by specific perspectives or agendas. Your contribution to humanity is much appreciated."
Gordon Long and I discuss The New Nature of Work: Jobs, Occupations & Careers(25 minutes, YouTube)
The Old Models of Work Are Broken
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